A little girl, Ana, reads herself to sleep. As she dozes off, the physical world starts melting into an alternate reality where the contents of a book rule over the laws of physics. Now, she has to escape being swallowed by the overwhelming accumulation of printed knowledge and find her own space in a world where nothing is what it seems.

Ana was raised to be stunning and famous until she comes to terms with how superficial this is. This is the late-coming of age of a woman who is no longer scared of getting lost to find herself.

Ana is about to start her trip to another country, leaving V{ictor. She comes back to Chile to re-encounter with Andrés. Brief instances of her life seem to melt like in a mirror.

Marcos has never had a girlfriend. Mattias has been with the same girl for way too long. That's the upbeat of Swedish-Chilean director Manuel Conchas first feature, where two child hood best friends are about to meet the reality of adulthood. Or as Marcos father likes to put it: Grow some hair on their balls!

Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.

Camille is a composer going back to his homeland Lebanon to write a song about his country. Raya is looking for her lost son. They meet, fall in love, and discover the despair of the people of war-torn Lebanon.

Ana swims in the waters of a wild lake. It is summer, and the heat is overwhelming. Meanwhile, her father waits for her in the cold corridors of the hospital. Her mother, who has been ill for years, is living her last days. Ana, who has lived too long with this illness, tries to hide a pain that words cannot express.

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